Sunday, March 29, 2015

Book Annotations - Historical Fiction

Gone with the Wind

By Margaret Mitchell


Genre: Historical Fiction

Publication Date: June 10, 1936

Number of Pages: 1,037

Geographical Setting: Clayton County, Georgia; Atlanta, Georgia

Time Period: United States Civil War and Reconstruction

Plot Summary: Scarlett O’Hara, a young Georgian debutante, resides on a plantation known as Tara in the American South just prior to the beginning of the Civil War. Scarlett is in love with Ashley Watkins, who is betrothed to another woman. When Scarlett declares her love for him she is rejected in front of the debonaire bachelor Rhett Butler. The Civil War starts and all of the men are called to fight, including the new husband she has just married. He dies of pneumonia shortly after the start of the war and Scarlett is left to mourn and raise their child alone. Scarlett moves to Atlanta and must face the burden of living in poverty after the burning of the South and the destruction of her childhood home, Tara. After the death of her second husband, Scarlett reunites with Rhett Butler and the two lead a posh life in Atlanta with a new child, until tragedy strikes. Scarlett and Rhett must deal with immense grief and their own marriage during the rebuilding of the South.

Subject Headings:
O’Hara, Scarlett (Fictitious Character) -- Fiction; Butler, Rhett (Fictitious Character) -- Fiction; Georgia -- History -- Civil War, 1861-1865, -- Fiction; Women -- Georgia -- Fiction

Appeal: This coming of age tale set in the American South during the Civil War period will make readers curious to find out how Scarlett O’Hara fares in this character driven, dramatic, and engaging work of historical fiction.

Read-alikes:
Belle Cora by Phillip Margulies - A richly detailed story of love, loss, and trying to obtain what you desire in historical New York City.

Rhett Butler’s People by Donald McCraig - A character driven story about the life of Rhett Butler and the people who influenced him.

White Doves at Morning by James Lee Burke - This lyrical Civil War story tells the tale of Willie Burke and his friends as they leave home to fight for the Confederate Cause.

Sunday, March 15, 2015

Book Club Experience

On Tuesday, February 10 I attended the “Fiction for Foodies” book club held by the Niles District Library in Niles, MI. I have never been to this library before and I like using class assignments as an excuse to visit library systems that I have never visited. I reached out to the group leader, who is an employee at the library, to see if they would allow to me attend and observe their discussion. The group, consisting of two library leaders and approximately six regular group members, welcomed me with open arms and were excited to have a new individual attend and bring a new viewpoint to the discussion. The group meets once a month and it is facilitated by the librarians who work there. The staff pick the books that the club will read and they decide on the list for the entire year at the end of the previous one.
For the February book club, the group was discussing The Storied Life of A.J. Fikry by Gabrielle Zevin. The group started as a way for interested individuals to get together and share good stories and good food. In the beginning all of the books the club read featured food fairly prominently in the story. As the club has progressed, they have started to choose stories that are more varied and don’t focus on food in them. Each member brings a dish to share that reminds them of the book and the club begins by gathering around the table with full plates to indulge and share their thoughts.
Once the members settle into their places with full plates the discussion can begin. The library employees print out a double sided sheet with information about the book on one side and discussion questions on the other side of the book. Having a handout like this one is a tip provided by ALA for facilitating a book discussion. They recommend groups “distribute handouts to everyone in order to refresh memories or use as talking points” (Facilitating Discussion). The employee leader pointed out the sheet and then asked what everyone thought of the book. She did not start by giving her opinion, but rather let the group go around the table and discuss their overall opinion about the chosen title. This particular start to the book discussion may not be the best one available to the leader of the group. “...I find that with many groups, the first question that gets asked is, naturally, ‘What did you think of the book?’ But once that’s answered, the group is quickly divided into the pros and cons. And all the subsequent responses to questions and topics of discussion are prefaced by statements like, ‘I really liked this book, but...’ or ‘I hated it, and...’” (Pearl). The general consensus seemed to be that most members did not care for The Storied Life of A.J. Fikry. Many of the group felt that the book was a sad a read and they would have liked to see it have a happier ending. After going around and telling their initial opinions, the group moved on to discussion about other aspects and specific details about the story. They discussed the characters and how they felt about their actions. They also discussed in great detail the mention of other works of fiction written into the story. Since the main character runs a bookstore, books end up being brought up quite often in throughout and most of them are actual published titles.
Throughout the discussion the library leader did not jump in immediately with her opinion, rather she would pose a question and let the group discuss their opinions and ideas before contributing her own thoughts to the book. The group was not critical of anyones opinions and each time someone expressed an idea, the group listened carefully without interrupting and then responded with their own opinion. This was not a group that was intimidating and everyone seemed to be comfortable sharing their thoughts throughout the meeting. Even though the library employees had prepared a list of discussion questions the group referenced the sheet only a couple of times when the discussion seemed to die down a bit and no one was volunteering a new topic for discussion. With the exception of these few moments, the discussion flowed quite easily and it was evident the group members, all of whom were women over the age of 30, had met in this capacity before and were able to easily make conversation.
The book group started at 6:30 pm and was slated to last for one hour. The group discussion lasted well past the scheduled end time and the participants kept discussing the book, along with other books and non-book related topics, until after the library itself had closed at 8:00 pm. The group was very friendly and their choice of titles was varied to get their participants to branch out and try new books. The work chosen for March was a non-fiction title that none of the participants had previously read. The group seems like it would be a fun one to attend, with lively discussion and good food. The library staff did a good job of organizing the group; they prepared questions in case of lulls in the conversation but did not require the discussion to adhere to this strict outline. This allowed the participants to discuss the book at leisure and wander off topic and back on if desired.

Resources

"Facilitating Discussion." I Love Libraries. American Library Association, n.d. Web. 15 Mar. 2015. <http://www.ilovelibraries.org/booklovers/bookclub/facilitate-discussion>.

Pearl, Nancy. "Check It Out with Nancy Pearl: Guidelines for Book Groups."Publisher's Weekly. N.p., 11 Jan. 2013. Web. 15 Mar. 2015. <http://www.publishersweekly.com/pw/by-topic/columns-and-blogs/nancy-pearl/article/55454-check-it-out-with-nancy-pearl-guidelines-for-book-groups.html>.

Sunday, March 8, 2015

Special Topics Paper

Novellas are back. This once popular style of narrative publication has seen a resurgence thanks to some new trends in publishing and distribution. “Originating in Italy during the Middle Ages, the novella was based on local events that were humorous, political, or amorous in nature; the individual tales often were gathered into collections along with anecdotes, legends, and romantic tales” (The Editors of the Encyclopedia Britannica). Authors like John Steinbeck, Truman Capote,  and H.G. Wells all used this form of printed work to tell interesting tales with great success. While many authors have published some of their best known and most beloved works in this shorter format, but the popularity of the novella has waned in the twentieth century. More contemporary authors have not been mixing this shorter style in with their longer work in the same way that authors from previous generations had. “Most writers feel pressure, internal or external, to scale up or pare down to a ‘suitable’ length. In other words, revise or rewrite the novella out of existence” (Fassler). That trend has been changing, however, with the increasing popularity of eBooks. Authors are beginning to see the benefits as publishing shorter works in the e-format as stand alone works or as tie-ins to other novels.
Novellas are longer than short stories but lack the page count to truly qualify them as full length novels. They are a length that has recently proven to work well in the eBook format. “‘Kindle is a great way for authors to make different lengths of their writing available and to reach diverse audiences with their work’ said Stephen King. ‘I’m excited to be able to offer ‘Blockade Billy’ in the Kindle Store’” (Bestselling and Iconic...). The shorter format of the novella not only makes it a quicker read than a full-length novel, but also puts it as a great price point for buyers. Amazon currently has 11,250 results for the search term “novella” in the Kindle eBooks store, with genres such as romance, mystery, suspense, and more. More than 6,000 of those titles are available for under $10.00 and many of those are actually free Kindle books.  
Not only do these eBook novellas provide a quick read at a low price for buyers, but they also provide a way for authors to continue to story of characters from a novel in a way that is easily accessible to readers. There has recently been a surge in the number of novella length tie-ins to existing full length books. It is also an easy way for authors and publishers to convince readers to try out a new author for the first time. A reader may be more likely to purchase a novella from an author they have never read for a dollar or two than they would be to purchase a full length novel for more than ten dollars.There has recently been a surge in the number of novella length tie-ins to existing full length books, movies, and television series as well. The 2000s CW series Veronica Mars has a collection of eBook novella length stories that can be purchased for Kindle at a cost of $1.99 each and author Tiffany Reisz novella companion to her Original Sinner series.
Novellas are also a way for small and independent publishing houses to put out a greater number of works on a regular basis and make a good deal of money for their businesses. The more recent increases in self-publishing also lends greater support to the novella length as an eBook. “Ebooks do seem to be the primary venue for novellas lately, but I still think there’s a place for them in print. Novellas never used to have the commercial stigma they do today. The Old Man and the Sea, Fahrenheit 451, Animal Farm… many of our most enduring classics are novellas and would probably be rejected by today’s publishers who are constantly pushing the needle from art toward commerce” (Charman-Anderson).
Novellas are also an art form of their own that require some skill on the part of the author to craft a story that can come full circle in less time. They allow authors to express their creative vision without having to finish an entire novel. “The smoke and mirrors, rabbits and hats are more self-consciously applied than in the full-length novel. The novella is the modern and post-modern form par excellence” (McEwan). This format has showcased the writing talents of many great authors throughout the years and its resurgence in popularity gives current authors the ability to flex their creative muscles in more ways than before.
In more recent literary history the novella has been the underdog in the publishing world, reviled by publishers as something that did not fit in with the current publishing models. “Mid-length works suffer from a koan-like criticism: They’re too short and they’re also too long. Novellas hog too much space to appear in magazines and literary journals, but they’re usually too slight to release as books” (Fassler). This trend is changing and the popularity of eBooks and their easy distribution model is allowing the author, independent and self-publishers more freedom to publish what they want rather than what the major publishing houses say will sell. As a result, eBooks are putting more options in the hands of the readers and many are making the choice to embrace the novella again.


Resources

Charman-Anderson, Suw. "The Novella Economy: Making Novellas Profitable." Forbes. N.p., 29 Aug. 2013. Web. 06 Mar. 2015. <http://www.forbes.com/sites/suwcharmananderson/2013/08/29/the-novella-economy-making-novellas-profitable/>.

"Bestselling and Iconic Author Stephen King Publishes New Novella 'Blockade Billy,' Available in the Kindle Store." Mental Health Weekly Digest 3 May 2010: 615. Science in Context. Web. 8 Mar. 2015.

The Editors of the Encyclopedia Britannica. "Novella." Encyclopedia Britannica. N.p., n.d. Web. 06 Mar. 2015. <http://www.britannica.com/EBchecked/topic/421114/novella>.

Fassler, Joe. "The Return of the Novella, the Original #Longread." The Atlantic. The Atlantic Monthly Group, 24 Apr. 2012. Web. 06 Mar. 2015. <http://www.theatlantic.com/entertainment/archive/2012/04/the-return-of-the-novella-the-original-longread/256290/>.

McEwan, Ian. "Some Notes on the Novella." The New Yorker. Conde Nast, 29 Oct. 2012. Web. 06 Mar. 2015. <http://www.newyorker.com/books/page-turner/some-notes-on-the-novella>.

Sunday, March 1, 2015

Week Seven Prompt

It’s no surprise that a woman with an average of 48 million viewers each week can increase the sale numbers for a book she recommends (Jacobson). Oprah Winfrey’s Book Club has had a measurable effect on the popularity of each work she has chosen to feature.  Only a few of the books ever cracked the USA Today bestsellers list before being chosen for the club, but “after being selected, each book joined the top 150 best-selling titles in American for at least a few months” (Butler, 23). If you are an author, hearing that you are being chosen by this media giant as part of her book club likely means great things for the future of your work. The book suddenly has instant clout with an entirely new group of people who may not have ever read another word you’ve written. This sounds like a dream come true, but the experience wasn’t universally loved by all the authors involved.  
Jonathan Franzen, author of the critically-acclaimed and Oprah endorsed book The Corrections, was not thrilled to be included in her club. “But after Mr. Franzen publicly disparaged Oprah Winfrey’s literary taste...he found that he may have inadvertently damaged his own reputation in the literary world. Ms. Winfrey did not revoke her selection but politely withdrew the invitation to appear on her show. And instead of rallying to Mr. Franzen, most of the literary world took her side, deriding him as arrogant and ungrateful” (Kirkpatrick). Mr. Franzen did not agree with Oprah’s book choices, but despite his annoyance at the situation, his sales increased on the already popular work. “...Ms. Winfrey’s selection may have been worth more than $1.5 million to Mr. Franzen” (Kirkpatrick).
As an author it seems like the end goal is getting your work into the hands of potential readers. Celebrity book clubs like this one are a great way for new audiences to hear about books by authors they may not have discovered on their own. There are people who don’t consult their libraries for readers’ advisory and don’t look at reviews to get recommendations, so this is just another way for them to gain information about new written works and for the author to try and appeal to a new, larger audience. It seems to be a win, win situation for the readers and the writers, regardless of your personal opinions about Oprah herself.

Resources

Butler, Richard J., Benjamin W. Cowan, and Sebastian Nilsson. "From Obscurity to Bestseller: Examining the Impact of Oprah’s Book Club Selections." Publishing Research Quarterly 20.4 (2005): 23-34.Academic Search Premier. Web. 01 Mar. 2015. <http://web.a.ebscohost.com.proxy.ulib.uits.iu.edu/ehost/pdfviewer/pdfviewer?vid=2&sid=fe841cb4-1096-4826-bf91-ed951bf7dd82%40sessionmgr4004&hid=4206>.

Jacobson, Murrey. "The Oprah Effect, by the Numbers." The Rundown. PBS, 25 May 2011. Web. 01 Mar. 2015. <http://www.pbs.org/newshour/rundown/the-oprah-phenomenon-by-the-numbers/>.

Kirkpatricks, David D. "'Oprah' Gaffe By Franzen Draws Ire And Sales." The New York Times [New York] 29 Oct. 2001, Books sec.: n. pag. The New York Times. Web. 01 Mar. 2015. <http://www.nytimes.com/2001/10/29/books/oprah-gaffe-by-franzen-draws-ire-and-sales.html>.